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Graphic Design – Posters, Icons & Visual Experiments

A collection of standalone graphic design work exploring iconography, poster design, typography, and visual experimentation.

Tools:

Tools:

Illustrator, Photoshop

Category:

Category:

Graphic Design

A staggered cluster of nine colourful isometric icon badges, including 3D glasses, a megaphone, a traffic light, and a paper airplane
Informational poster on the Cathedral of the Most Holy Trinity in Waterford, Ireland, paired with a halftone illustration of the building
Informational poster on the Cathedral of the Most Holy Trinity in Waterford, Ireland, paired with a halftone illustration of the building
Informational poster on the Cathedral of the Most Holy Trinity in Waterford, Ireland, paired with a halftone illustration of the building

Overview

Exploring different forms of visual communication

A collection of independent projects spanning icon design, informational and typographic posters, logo marks and experimental compositions, each developed around a different visual idea.

The Challenge

Each project presented a different communication problem, requiring a clear visual idea across varied formats, content, and constraints.

The Approach

Each piece is built around a clear visual device, using composition, typography, colour, grid and form to respond to its specific content and format.

Outdoor billboard mockup for a founder profile, showing the same portrait and bio text in two colour treatments, red and black.
Outdoor billboard mockup for a founder profile, showing the same portrait and bio text in two colour treatments, red and black.
Typographic poster spelling out RX using columns of dense multicoloured lorem ipsum micro text.
Typographic poster spelling out RX using columns of dense multicoloured lorem ipsum micro text.
Abstract gradient logo mark combining a stylised profile silhouette with a swirling leaf and moon shape, on a dark background.
Abstract gradient logo mark combining a stylised profile silhouette with a swirling leaf and moon shape, on a dark background.
The same profile and swirl logo mark shown on a white background to test its application on light surfaces.
The same profile and swirl logo mark shown on a white background to test its application on light surfaces.
Abstract fox head logo mark built from overlapping orange and grey curved shapes on a charcoal background.
Abstract fox head logo mark built from overlapping orange and grey curved shapes on a charcoal background.
Typographic poster arranging a martini glass shape from a large letter Y with circular eye motifs, set on a black portrait poster.
Typographic poster arranging a martini glass shape from a large letter Y with circular eye motifs, set on a black portrait poster.
Typographic poster pairing two mirrored letterforms with small eye like circular counters, photographed at an angle on folded paper.
Typographic poster pairing two mirrored letterforms with small eye like circular counters, photographed at an angle on folded paper.
Black and white typographic poster splitting a mirrored letter G motif across a two tone background.
Black and white typographic poster splitting a mirrored letter G motif across a two tone background.
Framed street poster spelling Streets of Philadelphia in bold stacked type, layered over repeated song lyric text in the background.
Framed street poster spelling Streets of Philadelphia in bold stacked type, layered over repeated song lyric text in the background.
A variation of the same street poster, with the bold headline reduced to abstract black bars and the lyric text rearranged into horizontal and rotated, mirrored columns.
A variation of the same street poster, with the bold headline reduced to abstract black bars and the lyric text rearranged into horizontal and rotated, mirrored columns.

Contact

Good design starts with a conversation.

Whether it’s a visual identity, an editorial piece or a digital experience, I’d love to hear about what you’re working on.

Contact

Good design starts with a conversation.

Whether it’s a visual identity, an editorial piece or a digital experience, I’d love to hear about what you’re working on.